Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich suprematist painting oil


suprematist painting
Painting ID::  68745
suprematist painting
1917, oil on canvas 96.5x65.5 museum of modern art, new york. se
   
   
     

Kazimir Malevich white on white oil


white on white
Painting ID::  68746
white on white
1918, oil on canvas 78.7x78.7 se
1918,_oil_on_canvas_78.7x78.7 se
   
   
     

Kazimir Malevich suprematism oil


suprematism
Painting ID::  68747
suprematism
1916, oil on canvas 79.5x 70.5 state russian museum, leningrad se
   
   
     

Kazimir Malevich suprematist painting oil


suprematist painting
Painting ID::  68748
suprematist painting
1915, oil on canvas 57.3x48.3 se
1915,_oil_on_canvas_57.3x48.3 se
   
   
     

Kazimir Malevich painterly realism oil


painterly realism
Painting ID::  68749
painterly realism
boy with knapsackcolour masses of the fourth dimension, 1915, oil on canvas 71.1x44.4. se
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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